Haunted House Horror! Intermediate Solo
$10.00
Haunted House Horror (Intermediate Solo) brings the full cinematic chills to the keyboard with richer harmonies, expanded textures, and more dramatic motion while preserving the spooky, whole-tone-infused sound that gives this theme its eerie identity. This intermediate version challenges players with expressive contouring, dynamic contrast, and coordination across both hands, making it a fun recital piece or a standout in themed lessons — especially around Halloween.
Its use of whole-tone scale colors, minor inflections, and creative motifs gives it that classic “haunted house” sound, while the technical development supports strong musical growth. This solo also exists within the Haunted House Horror Multi-Level Ensemble but is available here as a standalone option if you want just the Intermediate level.
Key Info
• Key: D Minor (with whole-tone scale color)
• Time signature: 4/4
• Level: Intermediate
• How long: 3 pages (Performance time ~1:45)
Wondering what it sounds like?
Teaching Focus
• Developing expressive dynamics and dramatic shading
• Coordinating expanded left-hand figures with right-hand motives
• Using whole-tone and minor-infused scales to enhance atmosphere
• Strengthening technical confidence with more varied rhythmic patterns
This purchase includes a Studio License, allowing you to use it with all students in your private studio. Thank you for honoring the composer’s work by not sharing files outside your studio.
Part of the Haunted House Horror collection — individual solos from the multi-level ensemble that let teachers assign exactly the right level while keeping a dramatic, cinematic theme across studio repertoire.
Haunted House Horror (Intermediate Solo) brings the full cinematic chills to the keyboard with richer harmonies, expanded textures, and more dramatic motion while preserving the spooky, whole-tone-infused sound that gives this theme its eerie identity. This intermediate version challenges players with expressive contouring, dynamic contrast, and coordination across both hands, making it a fun recital piece or a standout in themed lessons — especially around Halloween.
Its use of whole-tone scale colors, minor inflections, and creative motifs gives it that classic “haunted house” sound, while the technical development supports strong musical growth. This solo also exists within the Haunted House Horror Multi-Level Ensemble but is available here as a standalone option if you want just the Intermediate level.
Key Info
• Key: D Minor (with whole-tone scale color)
• Time signature: 4/4
• Level: Intermediate
• How long: 3 pages (Performance time ~1:45)
Wondering what it sounds like?
You may also like…
Secrets in the Shadows, Solo
Secrets in the Shadow kicks off with energetic open 5ths that chatter back and forth between the hands, like rumors spreading through a hidden corridor of an ancient cathedral. With clashing harmonies and a syncopated melody that feels slightly “off the beat,” this early intermediate–to–intermediate solo builds tension and sparkle — ideal for players who enjoy rhythmic excitement and musical storytelling.
Key Info
• Key: A Natural Minor (with occasional accidentals)
• Time signature: 4/4
• Level: Early Intermediate – Intermediate
• How long: Cover + 3 pages (Performance time ~1:30)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/SECRETS-in-the-Shadows.mp3"][/audio] Secrets in the Shadows, Solo
Secrets in the Shadow kicks off with energetic open 5ths that chatter back and forth between the hands, like rumors spreading through a hidden corridor of an ancient cathedral. With clashing harmonies and a syncopated melody that feels slightly “off the beat,” this early intermediate–to–intermediate solo builds tension and sparkle — ideal for players who enjoy rhythmic excitement and musical storytelling.
Key Info
• Key: A Natural Minor (with occasional accidentals)
• Time signature: 4/4
• Level: Early Intermediate – Intermediate
• How long: Cover + 3 pages (Performance time ~1:30)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/SECRETS-in-the-Shadows.mp3"][/audio]
Darkest, Coldest Night Early Intermediate
Darkest, Coldest Night evokes a journey through shadow and emotion — deep, expressive lines in D minor that feel like wandering through a quiet, icy landscape under a moonlit sky. This early intermediate solo blends dramatic contrast and thoughtful pacing, offering students the chance to build tone, dynamic nuance, and narrative playing in a piece that’s perfect for recital features or expressive study.
Key Info
• Key: D Minor
• Time signature: 4/4
• Level: Early Intermediate
• How long: Cover + 3 pages (Performance time ~1:30)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/The-Darkest-Coldest-Night-audio.mp3"][/audio] Darkest, Coldest Night Early Intermediate
Darkest, Coldest Night evokes a journey through shadow and emotion — deep, expressive lines in D minor that feel like wandering through a quiet, icy landscape under a moonlit sky. This early intermediate solo blends dramatic contrast and thoughtful pacing, offering students the chance to build tone, dynamic nuance, and narrative playing in a piece that’s perfect for recital features or expressive study.
Key Info
• Key: D Minor
• Time signature: 4/4
• Level: Early Intermediate
• How long: Cover + 3 pages (Performance time ~1:30)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/The-Darkest-Coldest-Night-audio.mp3"][/audio]
Flight of the Forest Pixies, Solo
Flight of the Forest Pixies is a light-hearted and energetic finale to the Enchanted Forest sonatina, capturing the mischievous sparkle of tiny woodland sprites in playful motion. Written in D Major in a rondo form (ABACA), this movement is full of quick articulated figures, rhythmic triplets, and a surprise key change in the central “Pixie Prank” section — perfect for students who love sparkle, contrast, and a touch of magic under the fingers.
Key Info
• Key: D Major
• Time signature: 4/4
• Level: Early Intermediate – Intermediate
• How long: 3 pages music + cover art (Performance time ~2:20)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/Flight-of-the-Forest-Pixies-Susan-Staples-Bell-Music.mp3"][/audio] Flight of the Forest Pixies, Solo
Flight of the Forest Pixies is a light-hearted and energetic finale to the Enchanted Forest sonatina, capturing the mischievous sparkle of tiny woodland sprites in playful motion. Written in D Major in a rondo form (ABACA), this movement is full of quick articulated figures, rhythmic triplets, and a surprise key change in the central “Pixie Prank” section — perfect for students who love sparkle, contrast, and a touch of magic under the fingers.
Key Info
• Key: D Major
• Time signature: 4/4
• Level: Early Intermediate – Intermediate
• How long: 3 pages music + cover art (Performance time ~2:20)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/Flight-of-the-Forest-Pixies-Susan-Staples-Bell-Music.mp3"][/audio]Related products
At the Gym, 10 Creative Work Outs for Ensembles
At the Gym is a playful collection of creative warm-ups designed to get students moving, listening, and playing together at the piano. These short ensemble activities feel more like games than exercises, making them ideal for group piano, studio classes, camps, or anytime you want to energize a lesson while reinforcing real musical skills. With a focus on coordination, rhythm, and teamwork, this collection turns warm-ups into something students actually look forward to.
What’s Included
• A collection of creative, movement-inspired ensemble warm-ups
• Flexible ensemble parts designed for group participation
• Repetitive, pattern-based material that’s quick to learn
• Activities that can be repeated, rotated, or adapted on the spot
Free Backing Tracks Included.
At the Gym, 10 Creative Work Outs for Ensembles
At the Gym is a playful collection of creative warm-ups designed to get students moving, listening, and playing together at the piano. These short ensemble activities feel more like games than exercises, making them ideal for group piano, studio classes, camps, or anytime you want to energize a lesson while reinforcing real musical skills. With a focus on coordination, rhythm, and teamwork, this collection turns warm-ups into something students actually look forward to.
What’s Included
• A collection of creative, movement-inspired ensemble warm-ups
• Flexible ensemble parts designed for group participation
• Repetitive, pattern-based material that’s quick to learn
• Activities that can be repeated, rotated, or adapted on the spot
Free Backing Tracks Included.
Dreams of the Forgotten Realm, Solo
Dreams of the Forgotten Realm is a lyrical and expressive solo that blends flowing 6/8 motion with hints of 3/4 to create dramatic color and wistful mood. A melodic left-hand moment in the middle section adds depth, and the piece concludes with a graceful cross-hand arpeggio that brings the wistful journey to a satisfying close.
Key: G natural minor
Time Signature: 6/8 with hints of 3/4 (BPM ≈ 88–98)
Level: Early Intermediate – Intermediate
Length: Cover + 3 pages | Performance time: 1:30
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2026/01/Dreams-forgotten-realm-final.mp3"][/audio] Dreams of the Forgotten Realm, Solo
Dreams of the Forgotten Realm is a lyrical and expressive solo that blends flowing 6/8 motion with hints of 3/4 to create dramatic color and wistful mood. A melodic left-hand moment in the middle section adds depth, and the piece concludes with a graceful cross-hand arpeggio that brings the wistful journey to a satisfying close.
Key: G natural minor
Time Signature: 6/8 with hints of 3/4 (BPM ≈ 88–98)
Level: Early Intermediate – Intermediate
Length: Cover + 3 pages | Performance time: 1:30
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2026/01/Dreams-forgotten-realm-final.mp3"][/audio]
The Holly and the Ivy, Solo
The Holly and the Ivy brings a joyful, dance-like spirit to the holiday season with a fresh piano solo arrangement of this traditional Christmas carol. Light, lilting rhythms and flowing left-hand motion create a graceful, uplifting motion — perfect as special music for church (prelude/offertory/postlude) or a beautiful recital piece that feels festive without being technically overwhelming.
Key Info
• Key: G Major (traditional carol setting)
• Time signature: 3/4 (dance-like feel)
• Level: Early Intermediate - Intermediate
• How long: Cover + 3 pages (approx. ~2:40–3:00 performance time)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/The-Holly-and-the-Ivy-.mp3"][/audio] The Holly and the Ivy, Solo
The Holly and the Ivy brings a joyful, dance-like spirit to the holiday season with a fresh piano solo arrangement of this traditional Christmas carol. Light, lilting rhythms and flowing left-hand motion create a graceful, uplifting motion — perfect as special music for church (prelude/offertory/postlude) or a beautiful recital piece that feels festive without being technically overwhelming.
Key Info
• Key: G Major (traditional carol setting)
• Time signature: 3/4 (dance-like feel)
• Level: Early Intermediate - Intermediate
• How long: Cover + 3 pages (approx. ~2:40–3:00 performance time)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/The-Holly-and-the-Ivy-.mp3"][/audio]
The Next Step in Your Creative Journey: Improv to Composition
The Next Step in Your Creative Journey Method book takes students beyond improv into actual composing by giving them a structured but creative path from spontaneous ideas to full musical pieces. With 31 two-page lessons, this resource introduces specific skills, offers creative prompts, and finishes each section with a Next Step Challenge that helps students shape imaginative ideas into complete works. Designed for late elementary through early advanced pianists and flexible for individual or group lessons, it spans styles from classical to jazz, blues, Latin, pop, and more — building both musicianship and creativity in one place.
What’s Inside:
• 31 two-page, ready-to-use lessons
• Guided improvisation prompts that lead to original compositions
• Exploration of scales, chords, rhythms, progressions, riffs, and patterns
• “Next Step” composition challenges in every lesson
• Composer’s Toolbox checklist and engraving tips
• Audio examples and backing tracks included
The Next Step in Your Creative Journey: Improv to Composition
The Next Step in Your Creative Journey Method book takes students beyond improv into actual composing by giving them a structured but creative path from spontaneous ideas to full musical pieces. With 31 two-page lessons, this resource introduces specific skills, offers creative prompts, and finishes each section with a Next Step Challenge that helps students shape imaginative ideas into complete works. Designed for late elementary through early advanced pianists and flexible for individual or group lessons, it spans styles from classical to jazz, blues, Latin, pop, and more — building both musicianship and creativity in one place.
What’s Inside:
• 31 two-page, ready-to-use lessons
• Guided improvisation prompts that lead to original compositions
• Exploration of scales, chords, rhythms, progressions, riffs, and patterns
• “Next Step” composition challenges in every lesson
• Composer’s Toolbox checklist and engraving tips
• Audio examples and backing tracks included
Reviews
There are no reviews yet.