





Willow in the Wind, Blues Solo
$10.00
Willow in the Wind delivers a smoky, slow-blues stroll through a soundscape that feels both mysterious and relaxed — OR a little faster, like a breeze gently bending willow branches as dusk settles in. Written in G Blues with a laid-back 4/4 groove, this solo features expressive chromatic passages, lush jazz-inspired voicings, and a stride-style left hand that alternates bass tones with rich chordal leaps. The result is a piece that feels lazy and cool yet musically compelling — perfect for students ready to explore blues color, jazz harmony, and expressive phrasing.
Key Info
• Key: G Blues
• Time signature: 4/4 (with flowing movement)
• Level: Intermediate
• How long: 3 pages (Performance time ~1:30)
Wondering what it sounds like?
Teaching Focus
• Building relaxed, stride-inspired left-hand patterns with bass–leap–chord motion
• Exploring chromatic movement and jazz-style chord voicings
• Developing expressive timing and lazy rhythmic feel in blues style
• Encouraging nuanced tone and dynamic contrast for mood and color
This purchase includes a Studio License, allowing you to use it with all students in your private studio. Thank you for honoring the composer’s work by not sharing files outside your studio.
Willow in the Wind delivers a smoky, slow-blues stroll through a soundscape that feels both mysterious and relaxed — OR a little faster, like a breeze gently bending willow branches as dusk settles in. Written in G Blues with a laid-back 4/4 groove, this solo features expressive chromatic passages, lush jazz-inspired voicings, and a stride-style left hand that alternates bass tones with rich chordal leaps. The result is a piece that feels lazy and cool yet musically compelling — perfect for students ready to explore blues color, jazz harmony, and expressive phrasing.
Key Info
• Key: G Blues
• Time signature: 4/4 (with flowing movement)
• Level: Intermediate
• How long: 3 pages (Performance time ~1:30)
Wondering what it sounds like?
You may also like…
Shaken: Not Stirred, Solo
Shaken: Not Stirred serves up a sophisticated Latin-jazz rumba inspired by a suave secret agent’s world. Written in A minor with rich jazz harmonies, this intermediate solo blends elegant rhythmic motion and tasteful syncopation with expressive jazz color. Its Latin jazz flair and optional percussive touches make it a fun, stylish challenge — perfect for developing rhythmic nuance, jazz phrasing, and expressive groove.
Key Info
• Key: A minor with jazz harmonies
• Time signature: 4/4, BPM ≈ 112
• Level: Intermediate (RCM 3–4)
• How long: Cover + ~4 pages (Performance ~3:00)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/Shaken.-Not-Stirred.mp3"][/audio]Shaken: Not Stirred, Solo
Shaken: Not Stirred serves up a sophisticated Latin-jazz rumba inspired by a suave secret agent’s world. Written in A minor with rich jazz harmonies, this intermediate solo blends elegant rhythmic motion and tasteful syncopation with expressive jazz color. Its Latin jazz flair and optional percussive touches make it a fun, stylish challenge — perfect for developing rhythmic nuance, jazz phrasing, and expressive groove.
Key Info
• Key: A minor with jazz harmonies
• Time signature: 4/4, BPM ≈ 112
• Level: Intermediate (RCM 3–4)
• How long: Cover + ~4 pages (Performance ~3:00)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/Shaken.-Not-Stirred.mp3"][/audio]Undercover Detective, Slow Blues Solo
Undercover Detective, Slow Blues Solo sets the scene for mystery and intrigue with a smoky, slow blues that transports players into the world of noir films and late-night jazz clubs. Using the A Minor Blues scale, gentle swing rhythm, and classic blues riffs, this piece sounds sophisticated yet remains very accessible for early intermediate students. Smooth melodic lines, relaxed phrasing, and call-and-response motifs help players develop a deep blues groove and expressive character, making this perfect for recitals, lessons, or anytime students want a moody, soulful blues experience.
This solo is part of The Best of Boogies & Blues collection — a lively set of blues and boogie-inspired solos designed to help students build groove, swing feel, and expressive style.
Key: A Minor Blues
Time Signature: 4/4 (BPM = 76)
Teaching Focus: Swing rhythm and groove, expressive phrasing in a blues context, call-and-response blues patterns, authentic blues scale application
Level: Early Intermediate
Length: Cover + 2 pages music | Performance time: ~2:10
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2026/01/Undercover-Detective-.mp3"][/audio]Undercover Detective, Slow Blues Solo
Undercover Detective, Slow Blues Solo sets the scene for mystery and intrigue with a smoky, slow blues that transports players into the world of noir films and late-night jazz clubs. Using the A Minor Blues scale, gentle swing rhythm, and classic blues riffs, this piece sounds sophisticated yet remains very accessible for early intermediate students. Smooth melodic lines, relaxed phrasing, and call-and-response motifs help players develop a deep blues groove and expressive character, making this perfect for recitals, lessons, or anytime students want a moody, soulful blues experience.
This solo is part of The Best of Boogies & Blues collection — a lively set of blues and boogie-inspired solos designed to help students build groove, swing feel, and expressive style.
Key: A Minor Blues
Time Signature: 4/4 (BPM = 76)
Teaching Focus: Swing rhythm and groove, expressive phrasing in a blues context, call-and-response blues patterns, authentic blues scale application
Level: Early Intermediate
Length: Cover + 2 pages music | Performance time: ~2:10
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2026/01/Undercover-Detective-.mp3"][/audio]Stealth Mode, Solo
Stealth Mode is a captivating jazz waltz that blends intrigue and swing in every measure. Written in D harmonic minor with a classic 3/4 jazz-waltz groove, this piece invites players to develop a genuine swing feel, rhythmic nuance, and expressive phrasing. With a built-in improvisatory-style solo in the B section as a creative springboard, students can explore jazz rhythms and accents while enjoying an irresistible sense of musical mystery and motion.
Key Info
• Key: D harmonic minor
• Time signature: 3/4 (Jazz Waltz), BPM ≈ 120
• Level: Intermediate (RCM 3–4)
• How long: Cover + 3 pages Music (Performance time ~1:50)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/Stealth-Mode.mp3"][/audio]Stealth Mode, Solo
Stealth Mode is a captivating jazz waltz that blends intrigue and swing in every measure. Written in D harmonic minor with a classic 3/4 jazz-waltz groove, this piece invites players to develop a genuine swing feel, rhythmic nuance, and expressive phrasing. With a built-in improvisatory-style solo in the B section as a creative springboard, students can explore jazz rhythms and accents while enjoying an irresistible sense of musical mystery and motion.
Key Info
• Key: D harmonic minor
• Time signature: 3/4 (Jazz Waltz), BPM ≈ 120
• Level: Intermediate (RCM 3–4)
• How long: Cover + 3 pages Music (Performance time ~1:50)
Wondering what it sounds like?
[audio mp3="https://susanstaplesbellmusic.com/wp-content/uploads/2025/12/Stealth-Mode.mp3"][/audio]







Reviews
There are no reviews yet.